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ItвЂ™s a bit more complicated than this, so weвЂ™ll leave the deep philosophical musings to the internet message boards.

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Do you want to spend masses on something that just controls a software slider? Why not get a comprehensive audio interface and a real audio mixing surface. I think this is the case with a lot of the lower end MIDI equipment. But then you can spend nearly the price of this whole unit on just one fader for your average scratch mixer.

The unit certainly doesnвЂ™t feel great, and itвЂ™s kind of like a plastic replica of a вЂrealвЂ™ mixing surface. IвЂ™m getting too old to be spending time using intermediate MIDI control applications to get the results I want, so I stuck with djDecks instead.ДЇrom a personal point of view, using software apps with MIDI control to mix is really strange. I managed to assign most of the controls to Native Instruments Traktor DJ Studio without too much hassle, with the exception of the jog dials. Most applications will have some kind of MIDI learn function, and then you can save the control settings as a template. someone else has done the hard work so itвЂ™s more plug and play). Technically, any piece of software which responds to MIDI control should be useable вЂ“ but can take a bit of effort to set-up if support for the BCD2000 isnвЂ™t вЂnativeвЂ™ (i.e. I didnвЂ™t really get on too well with the B-DJ software, so decided to ditch it in favour of trusty old djDecks ( ). The markings match up to software controls in the supplied B-DJ package, which is developed by Xylio ( ). Separating the transport controls in a more logical way would take up a lot more room. The symmetrical layout seems a bit counter-intuitive but I donвЂ™t think there is a way around this seeing as there are mixer controls too in a very compact space. In around these are the mixer controls вЂ“ gain, EQ, crossfader and channel faders. All the standard CD player style transport controls are there, as well as extra buttons for looping and FX control. The MIDI is transmitted over the USB connection, so donвЂ™t go hunting for physical connections for MIDI cables! The BCD2000 comes with plenty of sliders, switches and rotaries.

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You have to choose which you are going to route into the PC with the software control panel. So software input A is actually shared between the phono level RCA connection and the XLR microphone input. The eagle eyed amongst you will realise that there are more input sections than the 4-in spec will allow. Quite why Behringer decided to have only one channel switchable is beyond me, and seems a strange design decision. RCA input A is phono level, whereas input B is phono / line switchable вЂ“ which seem a lot more sensible in this day and age. The mic input has a level control, 2-band EQ, talkover switch and an вЂon airвЂ™ switch which routes the signal to the master output. There are actually two pairs of RCA connections for the input section, but also a balanced XLR microphone input too.

Behringer bcd2000 b control deejay drivers#

You can flip these around in the software control panel if you like (using the ASIO drivers in вЂAdvanced ModeвЂ™). These are your stereo pairs of CH1-2 and CH3-4 respectively.

The outputs are fairly straight forward you have a pair of RCA connectors at the rear of the unit as well as a headphone output on the front. Therefore, with a suitable PC and some kind of monitoring system, you are good to go (some music would be useful tooвЂ¦.)ДЄs well as the MIDI controls, the BCD2000 doubles as a 4-in / 4-out soundcard вЂ“ though the channel input set-up is a bit strange. The BCD2000 falls broadly into the category of MIDI controller, but it also features a built in audio interface and comes bundled with some software for DJing too.

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For most purposes this is all you really need to know, but if you want to learn more I would suggest the excellent articles from the Sound On Sound archive (in the August to December 1995 issues вЂ“ ). ItвЂ™s a standardised way for equipment to talk to one another, and tell each other what to do. Welcome to the world of MIDI (Musical Instrument Digital Interface), a protocol that is still going strong since its inception in the early 1980s. Some of us old timers have also been conditioned with hands on control, so a bit of familiarity is always welcome. ItвЂ™s certainly possible, but a few knobs and sliders can always help.

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Digital download services mean budding djs from all over the world can get quick and easy access to fresh tracks too.Д«ut, we are all human after all, and very few are content with control purely through mouse clicks and keyboard shortcuts. Once upon a time, there were only a few routes you could take when wanting to mix together your favourite tracks вЂ“ but even a modest spec computer can thread together a mix with relative ease nowadays.

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