вЂњMuch of the warm personality of MiedingerвЂ™s shapes was lost along the way. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.ДЇor Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. The typeface was soon revised and released as Helvetica by Linotype AG.ДЄs Neue Haas Grotesk had to be adapted to work on LinotypeвЂ™s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original.

Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the HaasвЂ™sche Schriftgiesserei in Switzerland, with art direction by the companyвЂ™s principal, Eduard Hoffmann. The font is currently #28 in Best Sellers.

Neue Haas Grotesk contains 22 styles and family package options. Neue Haas Grotesk was designed by Christian Schwartz, Max Miedinger and published by Linotype.

Neue haas grotesk text 75 bold download